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Exhibit Reception

January 22 @ 6:00 pm 8:00 pm

Celebrate the opening of four art exhibitions at the Homer and Dolly Hand Art Center and Duncan Gallery.

Jay Henderson

OSCAR BLUEMNER GALLERY, HAND ART CENTER

Notes on Anti-Mapping Architecture: Oscar Bluemner and Jay Henderson

In this site-specific exhibition, artist and curator Jay Henderson explores the concept of Anti-Mapping Architecture through a display featuring his latest body of work and a selection of Oscar Bluemner (1867-1938) pieces from Vera Bluemner Kouba Collection. The exhibit is curated by Jay Henderson, with installation support by Jody Poczik.

GARY R. LIBBY GALLERY AND MUSEUM FOYER, HAND ART CENTER

Looks Good on Paper: Second Edition

Central Florida Printmakers: Stella Arbelaez, Marina Burgner, Meg Carroll, Katy Farmer, Jennifer Harper, David Hunter, Mindy Lighthipe, Bronwyn Merritt, Trent Mouton, Rhonda Peyton, Fontaine Rodgers, and Mary Wentzel

Book Arts Guild of Central Florida: Holly Jefferies, Meghan Medina, Rachel Simmons, Catherine Cross Tsintzos, Marie Patrick, Chris Saclolo, Rachel Jerusha Kinbar, Jenifer Patrick, and Stephanie Rodriguez

Duncan Gallery, Sampson hall

Danielle Hunt: Evolution in 3D

Curated by Lily Woolard, Faculty mentor: Dr. Katya Kudryavtseva

Danielle Hunt: Evolution in 3D, an exhibition curated by Lily Woolard, features videos, photographs, and 3D-printed works by recent Stetson graduate Danielle Hunt. Tracing the transformation of digital designs into physical objects, the exhibition highlights 3D printing as a powerful tool for artistic exploration. Through a focus on process, it invites viewers to reconsider the role of technology in contemporary artmaking.

Duncan Gallery, sampson hall

We Were Children Once … and Soldiers

Curated by Emil Rasen, Faculty mentor: Dr. Katya Kudryavtseva

Conceptualized and produced by Emil Rasen, We Were Children Once … and Soldiers diorama reimagines a war-torn landscape inhabited by toy soldiers, confronting the contrast between childhood play and the grim reality of warfare. At its center, two human figures cling to each other in a crater of mud and blood, a haunting reminder that war is no game.

Emil

Sponsored in part by the State of Florida through the Division of Arts and Culture and the National Endowment for the Arts, with additional support by the LaValle Experiential Learning Program.